Showing posts with label Young Adult Fiction. Show all posts
Showing posts with label Young Adult Fiction. Show all posts

Friday, 5 September 2014

How To Get Published 

by Louise O’Neill


Louise will be appearing at the Mountains to Sea dlr Book Festival on 13th September – talking about her new book, Only Ever Yours, getting published and how far is too far in YA fiction (details below).

Upon hearing that I’ve written a novel, some people want to know where I get my ideas from, as if there’s an idea-shop you can just pop in to on your way home from work. Lidl will probably start offering ‘Idea’s’ soon. They’re basically the same thing as ideas but far cheaper.  Others ask about the storyline. ‘It’s a dystopia tale exploring the contemporary obsession with the female body. Think The Handmaid’s Tale for teenagers.’  I answer, watching as every man in a two mile radius backs away. No wonder I’m still single. And then, of
course, there are the frustrated writers, lips tightening with barely concealed envy when they hear my good news. I know these people. I was one of them, poring over a newspaper article about some child of fifteen who has sold their first novel for half a million euro, trying to ignore the hatred threatening to suck me under, as greedy as a slurry pit. There is nothing more disheartening than seeing someone else realising your dreams.

So, here are my top tips on how to finally write that novel.
  • ·        Read voraciously. Stephen King said ‘If you don’t have time to read, you don’t have the time to write.’ A badly written book will demonstrate what not to do and a well written book will inspire you. Be warned, a masterpiece will merely leave you with a general sense of hopelessness as your novel will never be anywhere as good. I had to take to my bed for a few days after finishing ‘Cloud Atlas’ like a Victorian maiden with a case of the vapours.
  • ·        Think of your writing skills as a muscle. The more you use them, the stronger they will become. The thought of completing an entire manuscript can seem so insurmountable we find ourselves unable to take the first step. Set yourself smaller tasks to begin with. Write an article for your local newspaper. Write a short story. Write five hundred words on your first holy communion. Julia Cameron, in her excellent book The Artist’s Way, recommends ‘morning pages’ and I've found freehand writing to be an effective tool of unblocking creativity.
  • ·        When you do decide to start your novel, make sure you’re passionate about your idea. This might sound obvious but you’ll be working on this project for the next nine to twelve months, or more. There will be days when you hate your book, you hate your brain for generating the original idea and you hate your laptop for having the audacity to record all these stupid words. If you don’t adore the idea at the beginning, you will likely ever reach the end.
  • ·        Set yourself a deadline. When I first moved back to Ireland from New York on September 1st, 2011, I decided to take a year out to work on the novel that I had spent the last ten years threatening to write. I finished the first draft on August 31st, 2012.
  • ·        I remember phoning my father from New York, complaining that my job in fashion ‘didn't’t make my heart sing.’ I know. Oprah has a lot to answer for. He told me if I wanted to write so badly I should take any opportunity that I had to do so. Bring a notebook with you and write on the subway, he advised, unaware that I spent my subway journey gawking surreptitiously at barefoot crack heads or avoiding eye contact with anyone I might feel compelled to offer my seat to. (Apologies to that pregnant lady on crutches. My bad.) Once back in Clonakilty, I made myself sit at my desk from 7 am to noon every day, whether I felt like it or not. Some days, the words came. Other days, I sat there, staring at the blank page. It didn't matter. I still sat at my desk at the same time every day. Of course, I was lucky enough to have parents who provided a room ‘of one’s own’ and, more importantly, a new laptop to put in that room.  I don’t have children or a tyrannical boss or a crippling mortgage to pay and I'm aware that these must feel like truly impossible obstacles. But you owe to yourself to at least try to carve out some time every week that you can use to write.
  • ·        Social media, while beneficial for ‘research’, is really only a method of distraction. When asked how one of the author’s on his roster managed to maintain such a prolific work rate, Jonny Geller, an agent with Curtis Brown, replied ‘He doesn't have twitter.’ Until novels come in a 140 character size, it’s not helping you.
  • ·        Be prepared to make sacrifices. In my case, the first casualty was an active social life. Jodi Picoult describes writing as ‘successful schizophrenia’ and I found it very difficult at times to interact normally with other people when all I could think about was this world I had created in my head. Personal aesthetic standards also suffered. When I worked in fashion, I didn't own any items of clothing that could ever be described as ‘practical’. Or, indeed, anyway comfortable. Things are so bad that when I wash my hair, my father asks if I’m going anywhere special and my mother claps her hands in glee, like I’m a toddler learning to use the potty.
  • ·        Some authors edit their work as they go along but I saved all my editing for the end, like the crappy pink and brown Roses at the bottom of the tin that no one wants at Christmas. There is a peculiar type of shame in reading ‘Slowly, she walked slowly down the corridor slowly.’ In case you don’t comprehend the subtlety of my brilliance, I was trying to convey that the character was very, very, very slow.
  • ·         Once you finish the first draft, edit, edit and then edit some more. As Faulkner said, ‘...kill all your darlings.’ You’re just showing off anyway. Ask a friend who is an avid reader to take a look at your manuscript. Choose someone you trust to be both honest and gentle with you.
  • ·        When you have a finished manuscript in fairly good nick, you need to find an agent. An agent will take a proportion of your earnings (generally around 15%) but they are essential, as most publishing companies don’t accept unsolicited manuscripts. When submitting to an agency, they usually want to see the first three chapters, a covering letter and your CV but check their websites for individual guidelines. Choose an agent that has authors you admire on their roster or who represents authors who are writing in similar genre to you. Make your covering letter engaging. If you’re someone’s love child, now is the time to mention it. Unless it’s someone embarrassing, like Mick Hucknell. Keep that to yourself. Forever. 
  • ·        Be prepared for rejection and don’t take it personally. JK Rowling famously received twelve rejection letters and I think she’s managing to pay her electricity bill these days. You want your agent to fight for your book when they’re trying to sell it to a publisher. If they don’t ‘get’ it, then they’re not the right agent for you anyway.

Going Too Far? Panel Discussion on YA Fiction with CBI
Venue: dlr Lexicon
Date: Sat 13th Sept @ 4.30-6.30pm
Age: Students and adults





5 TIPS for Writing By

Sheena Wilkinson

                                                                               
   

Sheena Wilkinson (middle) with Elaina Ryan from CBI and Writer, Deirdre Sullivan

1.   Everyone will say the same thing here; that’s because it’s so important. READ. Read everything. Read in your favourite genre and outside it. Read to see how stories work. Read to remind yourself that books are magic, and that you want to create that magic for someone else.
2.   Find out what works for you. I faffed around with unfinished novels for years because I kept stopping to edit as I went along, always aiming for that perfect first chapter. For me, it’s better to write to the end of a rough first draft and then go back and redraft, and redraft, and redraft. It’s less work in the long run, and for me having a complete draft, even though it’s rubbishy, gives me a feeling of achievement and something to work on. This seems to work for lots of writers. It may not work for you but it’s worth trying if, like me until about six years ago, you find it hard to get to the end. And the first drafts are getting better.
3.  Give yourself goals. It may be that you’ll write for an hour a day, or that you’ll finish a sort story by the end of the month, or that you’ll do a thousand words a day, or 500 or even 100. You can move the goalposts as you get more serious. If I think about the whole project of a novel, I feel a bit gulpy and want to go and lie down, but if I think that I aim to do 6,000 words a week and that means 1,000 words day with a day off, that seems more manageable. I have printed off a geeky calendar so I can waste time filling it in and adding happy/sad faces accordingly. You can get software to do this for you, but why bother, when you can use up hours of writing time colouring in and highlighting?
4.   Fall in love. With your book. I can’t get into something and spend a year – or, in the case of my forthcoming novel, 2 ½ years (I took time off to write another book in the middle) – on it unless I love it. So don’t follow the market or write about something because you think you ‘should’: write what you love. It helps to have a bit of  a crush on at least one character. BUT, however in love you are!
5.   Don’t be precious! You know how being in love is great, but it can make you a bit blind to someone’s actual qualities? That. So when your editor/agent/writing buddy/mum suggests that something in your book could maybe work better, consider that they might be right. After all, you want them to fall in love with your book too. 

     Sheena Wilkinson will be at Mountains to Sea 2014 on Saturday, September 13th @ 4.30pm for 'Going Too Far? Panel Discussion' with Elaine Ryan, Director of Children's Book Ireland and a panel of readers and writers. 

Monday, 25 August 2014

It all sounds a bit like the Rose of Tralee – but even scarier...



Robert Dunbar's review of Louise O’Neill’s remarkable debut novel, Only Ever Yours (Quercus),  from the Irish Times on Saturday 23rd August. Louuse o'Neill will be at Mountains to Sea for 'Going Too Far? Panel Discussion on Young Adult fiction' on Saturday 13th September at 4.30pm in the dlr LexIcon. Elaina Ryan, CBI Director will be chairing this discussion. Get booking now! http://bit.ly/1okFjHO

'Louise O’Neill’s remarkable debut novel, Only Ever Yours merits attention and commendation on several levels. In one sense, and particularly because of its structure and suspense-fuelled plot, it qualifies as an easy read, but in terms of its content, little about it is easy: numerous moments may well remind readers of those television news programmes that warn viewers that they may find certain images in the bulletin distressing.....

The novel is set in an unyieldingly strict boarding school where the student body (a phrase which here assumes a special significance) is exclusively female, the students being known as “eves”. As they approach their 16th year they prepare for “the Ceremony”, the final stage of the destiny that has awaited them since their creation, their entry into a world that in one way or another is male-ordered and male-controlled. Some will end up as “companions”, some will become “concubines” and some will remain, as “chastities”, teaching in the school.
In a book with many brilliantly realised sequences involving high drama, cruelty, exploitation and manipulation, the depiction of the particular selection process described here stands out as utterly compelling. A superb set piece, it all sounds a bit like the Rose of Tralee – but even scarier.
From such a scenario O’Neill has created a picture of young womanhood tortured by misogynistic demands and societal expectations into a grotesque caricature, overly concerned with their appearance, their sexual attractiveness and their standing with their peers.
This is, fundamentally, an extremely serious book, although along the way are pointed witty asides on today’s obsessions with the absurd trivia of our pop-culture world. Labelling it dystopian merely makes for facile categorisation: it has a much sharper focus than the term generally implies...'