Showing posts with label #M2C2015. Show all posts
Showing posts with label #M2C2015. Show all posts

Thursday, 5 March 2015


Wednesday March 18th, 3.30pm The History Detectives dlr LexIcon, The Studio 

 GOING BACK IN TIME

BY
 
BRIAN GALLAGHER

 What’s the worst part of writing historical fiction?  That’s easy - facing the blank page each morning.  (Just like it’s the worst part of writing any kind of fiction.)  And what’s the best part?  That’s easy too – the sheer fun of stepping into a time machine every working day, and going back to a point in history that you find fascinating.

                



How many jobs are there where you get paid to imagine that you’re present as dramatic events from the past unfold?  Not many, I suspect.  But that’s what a writer of historical fiction does.  Which isn’t to say that it’s an easy job – far from it – but it is an interesting one, where no two days are the same.  And few things beat the thrill of sitting down to plan a new book and wondering what exciting period from the past you’re going to pick..

Readers often ask me was I good at history at school, and - shocking admission – I hated history at school.  Looking back now I can see that it  wasn’t actually history that I disliked, but rather the boring way that it was taught back then.  It seemed to be all about learning off lists of dates, whereas now I love history, but regard it as being about people, great and small, and what they did, and why.  And people, unlike lists of dates, are fascinating.

So when I sit down to write a new book the first thing I do is pick an exciting, action- packed period in which to set my story.  But my next priority is to populate the story with interesting, credible characters that the reader can care about.  So when writing about the past I want to know what people really cared about, but also what songs they were singing then, what kind of food they were eating, what were the hit films and books of the day.  I want to immerse myself in that world so that the reader too can travel back in time, and see things through the eyes of my fictional characters.


Writers have always used libraries to do this sort of research in the past, and today we have the internet to check up on all those tricky little facts and figures that can trip up an author.  For me though, the best research source is always people.  If I can find someone who has lived through the era I’m writing about, I know I’m likely to get the kind of telling detail that really brings a story to life.  And so, having done my research, created my characters, and worked out my plot, all that remains is to travel back in time - and start writing the book…

Wednesday, 25 February 2015




Mountains to Sea to Little Island


It’s time to set sail for the Mountains to Sea Festival again! We’re very excited to be hosting another children’s book event this year with three of the best and brightest writers and illustrators of children’s books and teen novels in the business! The Let’s Create Event in Association with Little Island Books is a morning chock-full of writing, drawing, poems and stories. Our crack team of poets, writers and illustrators are all geared up to host fun and interactive workshops and entertain all the budding young creative folk in the audience – you’ll even have a chance to take to the stage to present your own work! It’s not every day you get the chance to do that!
So, from the world of children’s books we present to you, storyteller and poet Lucinda Jacob, master illustrator Oisín McGann and wordsmith Dave Rudden!
Lucinda is really three amazing things rolled into one; not only does she compose poems, she writes children’s books and books for teens too – and she illustrates them as well!
Oisín McGann is a wizard of the illustrating world. He’s been writing and illustrating his own stories since he was six or seven – and even though he spent most of his school life utterly convinced he was going to be a zoologist, he ended up decided to fund his dreams of being an author by working as an illustrator.
And the third member of our dream team, Dave Rudden, is a raconteur of the highest order. His work has been featured in magazines, journals and anthologies galore in Ireland, England and the U.S and we’re eagerly awaiting the publication of his amazing new children’s fantasy series – The Borrowed Dark – which will hit the shelves in spring 2016. He’s also our next Nightmare Clubber, with his title Brain Drain Baby coming in September this year!
We’ll be dropping anchor in the Pavilion Theatre on Thursday 19th to get creative with our intrepid bunch of creative story gurus – and they’re all crazy about children’s books! So, we’ll see you guys in the dlr LexIcon Studio and Workshop Rooms. Don’t forget to come along for 10am so you can get yourselves comfortable!
And you’ll never guess what our very own publishing manager Gráinne Clear is up to on Wednesday 18th! The History Detectives Event is a panel conversation with Marita Conlon-McKenna, Brian Gallagher and Nicola Pierce that promises to bring history alive through some of the best kidlit books for history-mad children! You’ll find out how real-life stories from the history archives inspires Marita, Brian and Nicola’s award-winning children’s books.
Marita Conlon-McKenna’s contribution to Irish children’s books cannot be underestimated. She has always been fascinated by the Famine Period in Irish history and her Famine Trilogy, chronicling the story of Eily, Michael and Peggy’s struggle for survival in Ireland and America has become a Irish and international classic in the world of children’s books.
Brian Gallagher has made a very significant contribution to the Irish children’s books genre in recent years. He has written five historical children’s books for young readers and teens, covering a tumultuous period in the story of the Irish nation, from the 1913 Lockout to the beginning of the Troubles in 1960s Belfast and everything in-between; threatened friendships and loyalties in the 1916 Rising, familial conflict and trauma in the Civil War, and the horror of the Luftwaffe bombings in Dublin in 1941. His latest historical children’s book is Friend or Foe, set during the 1916 Rising in Dublin.
Nicola Pierce is a writer of children’s books from Tallaght, living in Drogheda. She’s written numerous children’s books – for younger readers and for teens – and she never fails to bring history to life. She’s taken her readers to Derry in 1689 as the Protestant inhabitants of the city are resisting the attempts of King James’ men to story their gates. Another of her children’s books is set in battlefield city of Stalingrad during the Second World War. She’s even written about the most famous ship in the world, the Titanic, and its ill-fated voyage across the Atlantic ocean. Behind the Walls is her latest historical children’s book.
For those lucky school-goers who were canny enough to nab tickets, don’t forget to arrive at 10.00am to be seated! The event kicks off at 10.30am for two fabulous hours of historical brilliance in children’s books. This interactive show is a must for young history fans. And they’ll be doing it all again later in the afternoon from 3-30-5.00pm – that’s how much Little Island’s Gréinne Clear loves children’s books about history!
And if that’s not enough, on Friday the 20th, Ms Clear will be donning her storyteller’s cap and in the company of the endless inventive Mr Dave Rudden will be regaling a lucky gang of pirates – whoops, we mean children! – withTales of the Sea, a storytime session with more than a flavour of the seaside! As you know, Gráinne is our publishing manager, so she certainly knows her stories. Dave Rudden is a writer of top-class children’s books and a super storyteller too – watch out for his first book with Puffin Random House in Spring 2016! So, 11am means story time in the LexIcon – drop in and join the story-telling fun!
Check out www.mountainstosea.ie for more on all these events and to book your tickets.

Thanks to Little Island Press for this article; www.littleisland.ie

Monday, 23 February 2015

Who is coming to Mountains to Sea?
24 DAYS to the START of ..& Counting down to the PreFestival Events. Look Who's Coming ;

Sheila Hancock
Jill Leovy
Paul Durcan
Sara Baume, Rob Doyle, Colin Barrett
SJ. Watson
Tom Pickard
Miriam Gamble
Judi Curtin
Polly Samson
Nuala Ni Dhomhnaill
David Almond
Chris Judge
Andrew O'Hagan
David Ferry
David Lodge
Paul Howard
Roisin Ingle
Tess Gallagher
Rory O Neill aka Panti Bliss
to name but a few!

Mountains to Sea dlr Book Festival
18th - 22nd March 2015

Something for everyone!

Thursday, 19 February 2015

Ghettoside: Investigating a Homicide Epidemic by Jill Leovy – Review

Ghettoside: Investigating a Homicide Epidemic by Jill Leovy – Review


By focusing on just one killing in Los Angeles’ most violent district, Jill Leovy's powerful and gripping book provides clues as to how lawlessness takes hold. 


See her at ‪#‎M2C2015‬ on Wednesday March 18th at 6.30pm in conversation with Declan Hughes Pavilion TheatreGuardian review of Ghettoside; http://gu.com/p/45p54/stw

the LAPD on the beat.
 A brutal history … the LAPD on the beat. Photograph: Robert Nickelsberg/Getty Images


In 2007, Jill Leovy started a blog on the LA Times site called Homicide Report, an attempt to chronicle every one of the 845 homicide deaths that took place in Los Angeles County that year. The blog, which is still running, has the motto “a story for every victim”, and takes a sober, data-driven approach to this most emotive of subjects. A veteran crime reporter, Leovy already had strong connections with LAPD homicide detectives, which she used to flesh out the entries in the LA county coroner’s database, trying to understand the reasons why people kill and are killed. Controversially, the blog runs statistics about race – controversially in part because those statistics underline a stark and unpalatable fact. In 2013, “Blacks, just 8% of the county’s residents … accounted for 32% of all homicides … blacks were killed at more than seven times the rate of all other racial and ethnic groups combined.”
Who is killing black people? The answer is: mainly other black people. Roiled by a new movement against police brutality, the US is currently burying its head in the sand so as not to have to face up to the disproportionate violence meted out to black Americans by law enforcement. Those who wish to minimise or condemn the “black lives matter” protests frequently point to statistics about black-on-black killings in order to suggest that African Americans are predisposed to violence or crime, and so presumably deserve the treatment they get. The left has not done well in rebutting racist interpretations of homicide statistics. InGhettoside, Leovy, who is well qualified for the task, has committed herself to understanding why black people are “the nation’s No 1 crime victims … the people hurt most badly and most often, just 6% of the country’s population, but nearly 40% of those murdered.”
Leovy chooses to focus on the 77th Division in the South Central district of LA, made notorious in the 80s and early 90s by gangsta rappers like NWA. “South of the 10”, the east-west highway that forms an unofficial boundary between wealthy and fashionable West LA and historically deprived neighbourhoods like Compton and Watts, is the location of the vast majority of the city’s black-on-black homicides. The 77th includes the intersection of Florence and Normandie, the epicentre of the 1992 riots. It’s a far cry from Beverly Hills. “Cops knew these places for their boxy apartments, chain-link fences, converted garages, bad dogs with no collars, and Chevy Caprices.” Policing these areas is tough, thankless and, Leovy writes, not generally considered a springboard for an ambitious career in the LAPD. Homicide detectives are shockingly under-resourced and culturally marginalised in a police department which sets great store by uniformed patrolling and “proactive” initiatives like gang takedowns, rather than after-the-fact investigations.
Leovy touches briefly on the social forces that created LA’s ghettos – restrictive covenants on housing in more desirable areas, preventing sale to blacks, mass migration from Louisiana and Mississippi – but never deals with this history in depth. This is not a “big picture” book about Los Angeles in the mode of Mike Davis’s magisterial City of Quartz. Instead, she adopts the familiar format of the police procedural, introducing us to a team of heroic hard-bitten detectives and narrowing her story down to one particular murder, the random and apparently motiveless killing of a black teenager called Bryant Tennelle, whose father happened to be an LAPD detective.
Unlike the majority of LAPD officers, who live outside the city, commuting in from majority-white suburbs in Orange County or Ventura, the Tennelle family lived in the 77th, a decision considered unwise by fellow officers. The disconnection of police from the communities they serve is a long-standing complaint across the United States, and undoubtedly contributes to the impression that forces like the LAPD (or for that matter the police in Ferguson, Missouri) act as militarised “occupying armies”, instead of an organic part of the social structure. Officers, on the other hand, fear that their families would be put at risk, and in many cases are straightforwardly priced out of attractive city neighbourhoods by high property prices. Leovy has sympathy for the dangers and difficulties faced by police, and while she acknowledges the LAPD’s brutal history, she sometimes soft-pedals the frank hostility of many officers to the people they are pledged to protect and serve. Reviewing the disastrous failure to protect witnesses in homicide cases, a major obstacle to successful convictions, she notes that “some cops, steeped in rightwing rhetoric about the ‘nanny state’, harboured deep philosophical objections to aiding witnesses with cash. One detective supervisor … saw it as her duty to make sure they got as little state money as possible. She considered the division’s poor to be welfare malingerers and did not want to abet their sponging ways.” The next paragraph reassures the reader that “experienced homicide detectives did not share this view”, but it’s clear from her book that such enlightened souls are in a minority. One has the sense that her narrative (and her access as a journalist) would not be served by dwelling on issues of structural racism.
Leovy’s detective heroes are described as a breed apart from their colleagues, who tend to view most killings of young black men as an inevitable product of gang culture, unofficially filing them as “NHI” – “no human involved”. We follow them as they interview witnesses, put in hours of punishing overtime and skilfully circumvent bureaucracy in search of the truth. It’s a mode of storytelling familiar from David Simon’s Homicide: A Year on the Killing Streets, the groundbreaking 1991 account of murder investigations in Baltimore that formed the germ of The Wire. Stylistically, Simon casts a long shadow over Leovy, who doesn’t have his ear for dialogue or his deftness with character. What she does have, and what setsGhettoside apart from the slew of factual police procedurals published every year, is a compelling analysis of the factors behind the epidemic of black-on-black homicide, and the beginnings of a policy prescription for tackling it. This makes Ghettoside an important book, which deserves a wide audience.
“High homicide environments are usually alike,” Leovy writes. Summarising anthropological work in cultures with high murder rates, she notes that the setting is usually a minority enclave or disputed territory where people distrust legal authority. The majority of killings arise out of arguments, sometimes formalised into feuds. Small conflicts escalate. Women often “work through men” by “agitating them to homicide”. The distrust of authority is the key. In the absence of a legal system that people trust to work for them, killings are the only way to settle disputes or exact revenge. “History shows us that lawlessness is its own kind of order.”
It’s not as though black communities are under-policed. The famous “broken windows” theory of James Q Wilson and George L Kelling, which holds that preventing small transgressions (street drinking, loitering, vandalism and so on) creates an atmosphere of lawfulness and thus leads to an overall drop in crime, has been the making of a number of political careers, particularly in New York, where its application has been credited (perhaps wrongly) with transforming the city. In Los Angeles and elsewhere, “broken windows” often sends large numbers of police officers into minority neighbourhoods, on a mission to make arrests and hand out tickets for minor offences. Unfortunately, when combined with the low clear-up rate for serious crimes in these same neighbourhoods, and the palpable attitude of callousness shown by patrol officers (portrayed in Leovy’s book as largely cynical and apathetic) the result is a force that appears to be harassing and penalising people of colour, while turning a blind eye to serious suffering. One of the key demands of the New York civil rights movement that coalesced after the choking death of Eric Garner (confronted over a classic broken windows offence – selling loose cigarettes) is an end to the NYPD’s policy of “stop and frisk”, a tactic that is disproportionately applied to young minority men. British readers may remember similar anger about the so-called “sus law” in the 1970s and 80s.
So how does one build trust in the police? Any kind of community outreach will, argues Leovy, be absurd unless black-on-black homicide is taken seriously. It is unacceptable to file young dead black men as “gang-related” casualties and treat their deaths as victimless crimes. This is not sentimentality or excessive liberal sympathy for criminals, but a policy that (quite apart from being just and decent) would regain consent for the presence of police in areas where they are currently seen as antagonists, the officer (as rapper KRS-One memorably put it) as overseer. As one detective remarks, “catching killers builds law”. Leovy provides examples where prompt and vigorous investigation prevented friends and relatives of murder victims from acts of revenge, stopping feuds before they took more lives. Self-evidently, the vast majority of residents in any community, black or white, are not criminals, but in lawless areas, even the law-abiding must live under a gang-enforced code that proscribes cooperation with the police under any circumstances. Coupled with the LA judicial system’s woeful failure to protect witnesses, making any kind of case is hard for overstretched homicide detectives working with such meagre resources that they are apparently forced to buy their own office equipment. Though Leovy avoids the larger and thornier questions about law enforcement in African American communities (gun control, the zombie-like persistence of Jim Crow), her balanced and unhistrionic book may, with luck, persuade the “I can breathe because I obey the law” crowd, those Americans who have historically been unreceptive to other kinds of argument, to look again at black-on-black homicide, and take action.